Showing posts with label 4 Star Books. Show all posts
Showing posts with label 4 Star Books. Show all posts

Sunday, March 11, 2012

Never Let Me Go by Kazuo Ishiguro

Let me preface this review by saying this book is not nearly as girly as it sounds from the title.


That being said, I do have to admit that this book is one of the three books that have ever made me cry in my life.

Well, four-- I was about eight years old and was reading this book that was waaaayyyy too old for me and I lost it when the dad murdered the baby sitter. I don't count that one, though, because I never finished it. And because I didn't cry because I was attached to the characters, I cried because I was afraid for my life.

The other two are the 6th and 7th Harry Potters.

This book struck a chord. I'm starting to get a little teary just thinking about it.


The story follows 3 students through boarding school and into their lives after. They grow up with the vague knowledge that they're very special, very lucky, and that they're human clones bred and raised to one day donate their organs to "normal" citizens until they die.

Their life-spans are half to a third as long as normal citizens so we watch as Kathy, Ruth, and Tommy dream of and struggle to have normal lives, make sense of their past, and try to put off their fates for as long as they can.

I think one of the reasons this book got to me so much was the powerlessness of the characters. The idea of being unable to do anything about your destiny, about your life...and knowing you're essentially going to be tortured to death at a young age; what a horrible fate. I feel a little claustrophobic just writing it.

There's no shortage of dramatic tension with this knowledge over your head while you read, but Ishiguro employs a writing technique that does, for me, diffuse the tension of the individual situations a bit-- Kathy, as the narrator, tells you what's going to happen, but then in order for that to make sense she has to explain something that happened weeks or months or years earlier. This makes me crazy, but I admit that I can't think of a better way to do it for this particular story.

Overall, there's something incredibly engaging about the book: I couldn't put it down. Watching Kathy, Ruth, and Tommy unraveling the secrets surrounding them, their love for each other in all its forms, and watching them deal with the heartbreaking truths is addictive.


4 Stars out of 5

Wednesday, February 29, 2012

Blindness by Jose Saramago

I'm not going to beat around the bush: this book was a difficult read for a lot of reasons.

Reason #1: The style is...unique. After an extremely contagious and quickly moving plague of blindness strikes a city the government decides to quarantine the blind in an abandoned mental institution to try to contain the outbreak. For reasons unexplained beyond "names are no longer important" in the quarantine, none of the characters are named. The main characters are "the doctor", "the doctor's wife", "the girl with dark glasses", "the first blind man", and "the boy with the squint." They spend the entire book that way.

Which is awkward enough without Saramago's other stylistic choice: there are no quotation marks around anyone's speech, and he doesn't start a new paragraph when a new character begins speaking. This, naturally, makes it difficult to tell exactly who's speaking- or even if they're speaking at all. It works on the level that it's disorienting, so it's kind of like actual blindness in that way. But that being said, shouldn't sound then be the clearest thing? Or clearer, anyway? We would at least be able to tell the difference between two different speakers is all I'm saying.


Reason #2: It's incredibly violent, and graphically so. There are injuries, illnesses, attacks, fights, murders, and (again, graphic) gang rape in spades. Blood. Pus. Guns. Scissors. Did I mention the gang rape? Or, more specifically, multiple gang rapes. One woman is gang raped to death. We hear all about it.

In detail. Did I mention that part?


Reason #3: There's a lot of...excrement. The plumbing at the facility isn't the best and with society breaking down around them the blind stop caring about where they take care of business, as it were. But then the blind leave the facility because it turned out that just about everybody was blind and there wasn't any real need for the quarantine anymore, so we find out that the blind outside the facility stopped caring about...cleanliness, as well. Between the sights (one character can see), and the...smells...and the...depth...yeah, no, it's not pretty.


Reason #4: It's scarily realistic. Everything that happens, given the circumstances, is completely believable. Through the whole book you know- you know- that it's all plausible. And that's terrifying. But it's part of what makes this such a good book.



But that being said, it is a good book if you're the type that reads dramatic, depressing, intense things-- which I am but, for example, my mother is not. I wouldn't recommend this to her if Saramago paid me, she'd hate it. But if this is your thing, it's a can't miss read.


4 stars out of 5.

Sunday, February 19, 2012

The Constant Princess by Philippa Gregory

I've been fascinated by the Tudors for most of my life. I could recite Henry VIII's wives, children, and their fates in elementary school because that's just the kind of kid I was.

Yes, I got as many strange looks as you think.

So it's only natural that as I grew up I came across Gregory's books and fell in love, just like I fell in love with Showtime's The Tudors. It was destiny.

But all these years of research and entertainment did little to endear Katherine of Aragon to me. Of course I admired her strength and fortitude, remaining silent and faithful while her husband flaunted his affairs then divorced her, claiming they were never really married in the first place. I can't even begin to imagine the pain...I'm not going to lie, I'm a jealous girlfriend. Had I been Katherine I'd have had that Boleyn woman trampled by horses at the very least, so the fact that she didn't even do that speaks to incredible self-control.

But self-control, especially in that decadent court and the sumptuous entertainments its inspired, is really kind of boring. Honor? Piety? Integrity? Snore.

So I put off reading The Constant Princess. Katherine was boring in stories about other people, so why would I want to read a whole book about her?

To my great surprise I regretted not having read it sooner. It's excellent.

Don't get me wrong. The Other Boleyn Girl is still the jewel in Philippa Gregory's crown, but The Constant Princess without a doubt claims a very respectable 2nd place in Gregory's stunning career.

One thing I didn't like, though, was that she wrote 3/4 of it in third person EXTREMELY limited
point of view and a quarter of it in first person, with long stretches of third person broken up with the first person bits, Katherine herself giving us further insight into her actions. Which was strange because the narrator gave almost no "inside" information on any of the characters. Had Gregory written this with a more traditional third person limited it would have completely eliminated the need for Katherine's explanations and would have made the flow of the novel far smoother.

But that's really my only complaint. In The Constant Princess you get to see the beginnings of Katherine's incredible strength: her mother, Isabella of Spain. Gregory also gives an explanation for how it came to be that Katherine married first Henry's older brother Arthur- an explanation that also explains why she fought so hard to save her marriage to Henry.

It's also interesting to see Henry as a young boy as Gregory's interpretation of what he might have been (probably was) like so perfectly explains the man, the king, he became. Reading it, it can be hard to remember that this novel or, really, any and all of Gregory's novels, are merely conjectures on what might have been based on her thorough research. Gregory's gift is how real she makes her characters out to be. How human. And how well she lines up actual historical events to their perpetrators.

4 stars out of 5


Also by Philippa Gregory: